On painting feet on a snake
I have to overcome, or at least manage, my fear of rejection and humiliation enough to get the ball rolling.
I have to overcome, or at least manage, my fear of rejection and humiliation enough to get the ball rolling.
Nothing grows or maintains its size or strength without being fed. Muscles wither; plants wilt; rivers dry up. Minds are exactly the same.
It is impossible to complain, to reason, to cajole, to argue or to plead with someone if they do not enter into correspondence with you.
The ball has become the brownest brown it is currently capable of becoming. It will not get any browner, no matter how much more pummelling it receives.
Out of courageousness, folly or perversity — and I'll let you decide which — I'm cracking on with my writing.
"Then somebody takes it out of my hands and describes it to me. An astonishing feeling. Now it exists."
How awful it is when people talk about spending so much time on their phones and using AI so much, as if these were things to be proud of.
I'd be fascinated, in this new era of extreme prudishness and extreme permissiveness, to watch visitors react to animals having sex.
A word which has never, I expect, been said to us, or used to describe anything we did, anything we made, anything we laboured over.
I'm noticing more and more that devotees of AI, or AI apologists, as I prefer to think of them, are much more focused on product than process.